Ray Bradbury (1920-2012)

Scanning the latest double-issue of The New Yorker magazine yesterday, I saw a single-page piece by Ray Bradbury called “Take Me Home.” The Transit of Venus would begin soon, and I had just enough time to read it. I read it once, then re-read it, then read it a third time. The language was so lyrical and evocative and the word-images so vivid that I was transported to the porch of Bradbury’s grandparents’ boarding house in Waukegan, Illinois.

“I would go out to that lawn on summer nights and reach up to the red lights of Mars,” Bradbury wrote, “and say, ‘Take me home!’ I yearned to fly away and land there in the strange dusts that blew over dead-sea bottoms toward the ancient cities.”

Has anyone ever written anything so redolent about the red planet, or about the longing of a bookish boy wanting to hop on a balloon or a spaceship and soar away?

“While I remained earthbound, I would time-travel, listening to the grownups who on warm nights gathered outside the lawns and porches to talk and reminisce … it was the special time, the sad time, the time of beauty. It was the time of the fire balloons … I’d helped my grandpa carry the box in which lay, like a gossamer spirit, the paper tissue ghost of a fire balloon waiting to be breathed into, filled, and set adrift toward the midnight sky … Once the fire got going, the balloon whispered itself fat with the hot air rising inside …”

Surely you can see that fire-balloon! Not any fire-balloon but that specific balloon that the writer's grandpa had saved for him so that together they could set it “adrift toward the midnight sky.”

If the image is still vague, don’t give up. More stunning visual clarity is coming.

“But I could not let it go. It was so beautiful, with the light and shadows dancing inside. Only when Grandpa gave me a look, and a nod of his head, did I at last let the balloon drift free, up past the porch, illuminating the faces of my family. It floated up above the apple trees, over the beginning-to-sleep town, and across the night among the stars.”

Up, over, across. The words trace the flight of the balloon as lyrically as any poet or stylist ever could, carrying with it the enormous sadness of the boy who had just let it go.

“We stood watching it for at least ten minutes, until we could no longer see it. By then, tears were streaming down my face, and Grandpa, not looking at me, would at last clear his throat and shuffle his feet … Twenty five years later, I wrote ‘The Fire Balloons,’ a story in which a number of priests fly off to Mars looking for creatures of good will. It is my tribute to those summers when my grandfather was alive.”

After savoring the piece, I hurried off to see the Transit of Venus at a local observatory.

This morning I learned that Ray Bradbury has passed away at age 91.

I read only two of Bradbury’s work: “Fahrenheit 451” and “The Martian Chronicles.” What interested me even more than his work was his work ethic. Bradbury worked almost every day of his life (fans of Stephen King can identify), pounding out a thousand words a day on his typewriter. No computer or word processor for him. He was self-taught. The library was his refuge, his teacher. These days, people cite examples of tech icons like Bill Gates or Mark Zuckerberg to prove that you don’t have to go to school to make your mark. We forget that before tech titans, there have always been self-taught writers who made lasting contributions to literature and civilization. Rabindranath Tagore won the Nobel Prize for literature without having ever seen the inside of a classroom while growing up.

“Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.”

Bradbury’s own words perfectly sums up what inspired and motivated him.

Go out tonight and look up. See that tangerine light overhead? That’s the planet Mars, with its “strange dusts that blow over dead-sea bottoms toward the ancient cities.” It is the celestial body that Bradbury made familiar to millions of us through literature.

Spring Stargazing

We went out stargazing tonight. The spring night was warm, the stars brilliant. The Montgomery Hill Observatory, run by the Evergreen Valley College, is practically in our backyard. We walked up the winding road and gave our eyes time to adjust to the darkness.

Then, one by one, the stars began to bloom and we knew right then that there could not have been a better way to spend the night than looking at the universe.

Just above the western horizon, above the faint glow of the city, was a dim Jupiter. About 30 degrees above it was the dazzling Venus, easily the brightest object in the sky. At the zenith was Mars and as you completed the arc at the eastern sky, I was told that the unassuming star there was Saturn. "I will believe it when I see it," I said. The resident astronomer of the college, Dr. Celso Batalha, could only smile.

But first, Venus. Peering through the telescope, I saw a crescent Venus, a first for me. It was just like the moon, only brighter. Unlike the moon, however, crescent Venus is not visible to the naked eye. She was so bright, though, that I thought I could extend my hand to touch and tickle her. Her laughter would no doubt ripple across the sky if I succeeded.

Children were excitedly running around. Young boys and girls looked longingly at the stars, then at each other. I had eyes only for Saturn, though. And when my turn came to see it through the telescope,  I was overwhelmed into uttering two utterly inadequate words: "My goodness!"

The ring was a fat ribbon around a perfectly spherical shape etched against the dark horizon. There was something so delicate about it that for a moment I thought it would come free off its gravitational bondage and float away like a balloon. When I first saw the Saturn several years ago in wintertime through the same telescope, it was in the western sky and its beauty seemed more set, more mature. But this version was brighter, yet more intimate, more fragile. It was so achingly beautiful that I lingered more than my allotted time at the eyepiece until politely nudged by the fellow behind me.

There were other attractions in the crowded sky: Orion and the Big Dipper and so many more stars and constellations whose names I did not know or wanted to know, for fear that some mystery would go away if I knew their names.

So I went around the hill, taking in as much of the beauty of the night sky as I could with unaided eyes, feeling not insignificant at all but part of an ineffable whole whose meaning I could only dimly glimpse. The warm and breezy spring air was filled with the fragrance of freshly-cut grass and the chirping of crickets

Just when I thought it was time to leave, a shooting star fell. I waited for more but none came. Still, what a finale, what a memorable night!

Starry Sky, Life and Death

It's a magnificent sight, the evening sky now. In the West, the irrepressible 'evening star' Venus glows with such luminosity that you want to extend your hand and touch it. Above it is Jupiter, not as bright but compelling nonetheless. Overhead, the moon is swelling as it moves eastward toward the Diablo Range. But the eastern sky belongs to Mars with its twinkling reddish hue. In the north, the two pointers of the Big Dipper are oriented up and you can easily trace their line to locate the Polaris to the left.

Last week, on February 24, the crescent moon was below Venus and just above the western horizon. The next night it had moved between Venus and Jupiter, forming an almost perfect right-angle triangle. (Pythagorean Theorem, anyone?) The next two days brought much-needed rain to the Santa Clara Valley and clouds covered the sky. A night later, the moon had moved past Jupiter near Orion. The pink plum-cherry blossom have been out in profusion along the quiet avenues and appear like snowflakes in reflected light as you look up to drink in the beauty above.

But tonight the moon has gone far past Orion. In two nights or so, the full moon will rise big and yellow-orange above the hills and one will be overwhelmed by the ineffable beauty of the March sky.

What is it about the sky, particularly when it is so star-studded, that compels us to consider other perspectives? What exactly are we after in life? Fame, glory, wealth, happiness? Does it really matter, after we have reached a certain level of satiety, to add more? Is it worth it, this relentless pursuit of more? Does it in any way enhance our insignificance?

A dear aunt passed away a month ago and I just heard that uncle (they were married for 50 years) has died today, in the same hospital, in the same ICU unit. Both of them refused medications and the experiments that doctors wanted to run on them. They were determined to leave this life with dignity and they did, surrounded only by their loved ones. No tubes, no surgeries, no medical intrusions into the sacred. Both accepted death with uncommon grace and I cannot but think that uncle has left to join his beloved. If he could look at the sky last night, the final night of his life, I think he would have known more than ever before in his heart that love transcends all.

The seasons come and go and the earth renews itself with rain and becomes brown again, and the ancient cycle continues. The old move on and their grandchildren grow up. Someone departs, someone arrives. For all our striving and advances, the sum of human joys and sorrows remain more or less constant across centuries. The planets and the stars swim along in their orbits, unhurried and unchanging, reminding us only of those things that matter, if we take the time to see and listen.

Rekindling the Romance of Space Travel

Forty years ago today, as a student at Dhaka University in Bangladesh (then Pakistan), I remember staying up all night with friends in our hostel, glued to the radio for news of the moon-walking voyagers. Neil Armstrong and Edwin Aldrin had fired our collective imagination as they took tentative steps on the moon while Michael Collins kept vigil in the orbit above. That first small step had opened the door to infinite possibilities. We were exhilarated, our sense of wonder kindled as it has rarely been since.

The daring Apollo 11 astronauts, soaring on the ingenuity of thousands of engineers, made us see the earth as she was: a fragile, small, lonely planet in the vastness of space, in need of the nurturing care of every one of its inhabitants. For a brief, shining moment, we even thought that’s how it was going to be.

On Monday, October 27, 1969, we thronged main street in front of Hotel Intercontinental (now Sheraton) in Dhaka for a glimpse of our heroes. The Apollo 11 astronauts were visiting the city as part of their world-wide goodwill tour. And suddenly there they were, riding in a motorcade, all eyes focused on … Neil Armstrong. Being the first certainly had its privileges, even if the toast of the world had missed an “a” in his unforgettable sentence.

There is talk now of reviving that ’69 spirit of adventure by shooting for Mars, a more hospitable target than the moon. But even if the money is there, is there the national will? “Man must understand his universe,” said Neil Armstrong, “in order to understand his destiny.” The question for us to resolve now as a nations is: What must be our destiny?